Current Embroidery

Projects

Currently, I have so many embroidery projects, but let me just talk about a few.

Panel inspired by the Oxburgh hangings. Mary Stuart, Queen of Scots, with the help of Bess of Hardwick, created several panels of tent stitch and cross stitch. While the originals were stitched in flat filament stitch, this one is being done in #5 Cotton pearl from DMC. I enjoy playing with needlepoint and have been pleased with the results. This piece is on an 18 count linen mono-canvas. The original was drawn on a fine linen and according to Bath (2008), Queen Mary had an artist in residence, whose job it was to create and apply the patterns to the linen then stitched the outlines in black. Some of my earlier efforts did not have the black outlines. This one does look like the banners have the lettering stitched over the blue tent stitch so I will be trying to work it that way.

Outlining finished...

Been in a mood to finish this. The black outline is finished and working on finishing the backgrounds and the interiors now.

The Inspiration...

This is from the Oxburgh embroideries and is thought to have been worked by Mary Stuart, Queen of Scotland, or Bess of Hardwick. It is stitched with silk threads on a linen ground. I suspect it may have been cross stitched, as many of these motifs were, but chose to use cotton threads on linen with Tent stitch, so it can be used on a pillow or other hardy application.

The Finished Embroidery

I am still trying to decide how best to display this needlepoint piece. I had originally planned on creating a cushion, but the design is requiring some thought. Do I want to layer on different colors of wool with little bits of decorative stitching? Do I want to just slap it on to a piece of upholstery fabric with a padded satin stitch like that used on the Oxburgh Hanging slips? Decisions, decisions, decisions... Whatever I do, I will need to make it sturdy. It is a cushion for my tushy. Watch this space.

St. Cecilia

Cecilia is breaking my heart. I started her years ago, but working on her is hard. The plan is to do silk work with goldwork. Specifically, Or Nue. She is based on a figure on a 14th century alter cloth in Spain that I found in Schuett (1963). This figure isn't in the book, but I had contacted the monastery where it is and photos were sent by a very nice monk of the whole piece and I fell in love with St. Cecilia.

In this image, she is seen with a feather in her hand, the medieval equivalent of our guitar pick. St. Cecilia of Rome is the patron saint of music and musicians so is often seen with a portative organ or some form of string instrument, but in the image of her on this alter cloth she had a feather that she may have used to play a lute or other string instruments that needs plucking.

The main issue with working on her is the flat silk. I live in a very dry and hot area, in a small house, and she is mounted on a large slate frame. I can't just grab her from my work basket and